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A CHRISTMAS IMAGE OF ME AND MY SUBMISSIVE PARTAKING IS SOME DEVIANT DOMESTIC CHORES.
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Jan 14, 2010 12:45 pm
115 Views
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what happened?
where the fuck have i been?
who fuckin' cares?
it's obscenely heartwarming to know that there
are still people on this planet that care.
my heart is full of love for you.
i am eternally grateful.
you give me strength and inspiration.
you accept me for who i am.
even though i disappear from time to time
i will be here until i croak.
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happy new year
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I HOPE AMANDA KNOX HAS THE MOST BEAUTIFUL CHRISTMAS EVER.
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Dec 7, 2009 2:40 pm
182 Views
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it's the way she changed strategy by remaining calm, compliant and sickeningly subserviant in her respect for the italian judiciary and her knowledge of the language and law itself that sealed her guilt beyond a shadow of a doubt.
there's no point debating the typically laid back 'round the bend and back again' italian way of legal process, the end justifies the means, and as far as i'm concerned justice was served up to a devious manipulative little c**t.
there was never any signs of regret from baby faced knox. she convinced herself that her roomie was a worthless piece of trash who didn't deserve to live.
for all the intelligence, diligence, and control she presented in court she must have been kicking herself with regard to the sloppy half-baked 'burglary' story she and her stupid boyfriend cooked up.
amanda is the type of mind that will be looking at the calendar, predicting an early release date for her good behaviour with her manager, publisher and pr sluts all aligned for the authorised biography, the chat show appearances, and a self-help guide for victims of miscarriages of justice.
it's her 'enamel hard' veneer of self-belief, of innocence, of flaunting 'truth' with such gauche vulgarity and conviction that makes me sick to the stomach.
god forbid, maybe there's a chinese sweatshop manufacturing toxic 'foxy-knoxy' dolls for valentine's day?
is it beyond reality?
nothing is beyond amanda's venemous desire. but, you can't always get what you want.
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TONIGHT, I SEIZED A RANDOM MOMENT OF EXHIBITIONIST PLEASURE ...
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Dec 3, 2009 1:34 pm
240 Views
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naked under the soothing glow of ultra violet tubes, my mind was sucked into a swooning libidinous limbo of appointments with vague physicians nymphet nurses and kinky psychiatrists. a series of soft-focus sylvia kristel moments took hold of me .. tactile, luminous, ethereal vignettes of nylon, white pvc, white leather, white suspender belts, red lipstick, surgical gloves, moist cavities and well-maintained drill equipment, shifting like stage sets under a single spotlight. even as the soft yielding light turned off automatically, i grabbed a bottle of body cream whilst gently kicking the canopy upwards. both girls were in the booth next door still chatting, spraying and wiping down a recently vacated sunbed. i rubbed the cold cream between my left fingers whilst gently pushing them into my warm asshole, as my right hand started to play with my cock, it's plum tip moist with precum, the girl's voices aroused me even more as i thrust three fingers repeatedly into my tight pussy whilst jacking off, imagining the girls peeping through a gap in the door just before i came over my hot belly.
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image by wim delvoye - blow 1 - 2001
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8
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CAN'T FACE LIFE WITHOUT HASH BROWNS.
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Nov 28, 2009 3:24 pm
257 Views
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i never met you in that diner under the bridge by the liquor store or the midnight bus that passed seven starbucks in a row that face of yours made me cry too many times i'm ashamed to say because the glow of grace the gift of love was too deep inside for me to ever grasp i was always lost on the other side of the atlantic weeping over your sweet prose like rose thorns ripping my heart apart i always knew you were a star that i could only stare in wonder at my own words just pale shadows cast upon the dirty sidewalk outside that warm diner where you ate hash browns as if every time was always the first time and now that i know you've moved uptown i still like to drop by that diner and watch the other customers talk and drink coffee, and spill ketchup on the formica or their ripped jeans but deep inside me there's a yearning that still burns, that's still visible by the afterglow of your soul in the yellow acid luminescence embracing all the other lives that you've left behind that will never forget you or the hash browns that i never got to share with you.
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dedicated to trinity with love
who wrote the title words in a post on this blog
in june 2006
v
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PARANORMAL ACTIVITY - DEFINITELY, THE BIGGEST TURKEY OF THE YEAR.
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Nov 28, 2009 2:00 pm
229 Views
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Even the best of friends will never talk to each other ever again after watching this dull, poorly-acted suspense-less, hyped-up, dumb, worthless sub-student flick.
when highly-regarded critics compare this junk to such masterpieces as 'The Exorcist' i cannot but feel excruciating pain, disgust and utter horror, a disbelief that renders my senses numb, mocks my intelligence (subjective opinion and not in any way reliable).
i kept glancing at my watch throughout.
after, 30 minutes i was salivating at the visceral thought of seeing katie and micah decapitated by whatever lame poltergeist was inhabiting their gruesomely styled abode.
perhaps, i mistakenly thought, their dialogue would improve as headless automatons wielding that distinctly retro 80's camcorder.
really, the last time i was this bored was watching an emmanuelle flick with a dental hygienist (sans surgical gloves.)
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ONLY 39% OF AMERICAN CITIZENS BELIEVE IN CHARLES DARWIN'S THEORIES OF HUMAN EVOLUTION.
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Sep 22, 2009 11:55 am
515 Views
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IT SEEMS JEREMY THOMAS; THE PRODUCER OF THE NEW DARWIN BIOFLICK CANNOT SECURE A SINGLE AMERICAN DISTRIBUTOR; YET HUNDREDS OF OTHER CINEPHILE NATIONS HAVE EMBRACED IT. THE VOLUPTUOUS JENNIFER CONNELLY AND HER BRITISH ACTOR HUSBAND - YOU KNOW WHO I MEAN THE GANGSTER GEEZA THAT NOBODY - INCLUDING MYSELF EVER REMEMBERS HIS NAME ... YEAH THATS HIM, THE LAD WI DA DIRTY BLONDE-ISH LOCKS AND COLD BLUE STARE ... WELL; HE PLAYS OL' CHARLIE BOY AND DIRTY JENNY PLAYS THE DEVOUT CHRISTIAN MISSUS DARWIN. SO; I WAS WONDERING WHAT IS THE FUNDAMENTALIST RIGHT WING CHRISTIAN NUTCASES WHO HAVE A RIGHT TO BELIEVE WHATEVER CRAP THEY WANT DOING LOBBYING AGAINST SUCH INTELLECTUALY CHALLENGING THINGS LIKE MADE-UP MOVIE STORIES ABOUT DEAD PEOPLE AND HOW DOES THAT THREATEN THEIR OWN BELIEFS?
YEAH - SO THIS IS ANN HATHAWAY WHO LOOKS AMAZING AND IS NOT PLAYING THE VIRGIN MARY IN THE DARWIN MOVIE. SHE PLAYS ANOTHER IMAGINARY CHARACTER IN TIM BURTONS NEW ALICE IN WONDERLAND MOVIE.
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17
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ALL I THINK ABOUT IS TITS, FORTY HOURS A WEEK, AND THAT'S ABOVE AND BEYOND THE AMOUNT I SPEND ...
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Aug 5, 2009 1:09 pm
604 Views
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THINKING ABOUT THEM ON MY OWN TIME.
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WORDS BY DOUGLAS COUPLAND. i love douglas coupland. HIS BOOKS ARE REALLY FUCKING FUNNY. I WOULD SAY THAT I GET HIM DIG HIM ADORE HIM EVEN THOUGH HE'S GROWN a nasty grey fuzzy beard. there's something about someone's sense of humour that at least for me over-rides many other traits that i would consider a disability or a major turn-off.
I've already pre-ordered his new novel: GENERATION A.
please do likewise because the honeybees are counting on us.
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THE LIMITS OF CONTROL BY JIM JARMUSCH.
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Jul 21, 2009 1:12 pm
601 Views
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this is one of the year's outstanding movies. like tortoise's "beacons" it breaks the mould, breaks the expectations of the audience and delivers work that defies categorisation.
it's a film that i will see again. the biggest problem i have with it is the costume tilda swinton wore at the cafe. the brown leather boots were mis-cast ... they should have been white!
darn you mr jarmusch.
it could have been a 2 hour advertising spot for ozwald boetang or paul smith. the protagonist is seen in various colours of the same natty shiny suit, walking, lying on bed staring at the ceiling os sitting at various cafes drinking espressos.
spain looks voluptuous. the interiors, the landscapes, the textures and colours of the hotels, the trains, lounges and bars are all incandescent, alluring, erotic sometimes dreamlike and artificial as if jj is harking back to hitchcock in 'strangers on a train'- real people vs back projected moving landscape.
christopher doyle's cinematography is luscious, lustrous and lascivious. the soundtrack is jagged, mercurial, like an engine in a steamship at full steam ahead.
everyone in the movie sports optical wear except the main protaginst who's 'working'- it's a job i wouldn't mind doing myself meeting odd characters, swapping matchboxes and eating tiny handwritten messages/codes before washing them down with coffee.
the journey like any journey is fun, boring, mysterious, thought provoking and very playful at spinning out an existential poem without any purpose.
it's about LOOKING at what we see 'grokking' the essence of life's transient beauty.
the girl offers herself for sex but there will be no fulfillment in the sexual act.
it doesn't matter that he's working.
in his mind the PRESENCE of her is enough to enjoy
as is the pleasure he attains when looking across madrid to the skyline.
the reason he doesn't have sex with the girl is that the suit he's wearing is not his own, therefore he cannot be himself and do what he wants to do because another persona controls him. the role of assassin.
the camera only allows us to see the main protagonist on the surface, his skin, his suit, his hands and feet.
yet, it's telling us that he's deep, he's in touch with his core he partakes in tai chi.
there is a contradiction in his choice of tailoring, the immaculately groomed look and his inner life.
like you or i we project a mask of allure in order to travel through this life with ease with some kind of dignity because inside we are all the same
scared of death. scared of not being able to SEE.
go see it.
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